My new favorite writer is a contemporary Scot named Ali Smith.  I read four of her books over the last couple of months, then made myself take a break.  Now I’m having Ali Smith withdrawals.

It’s fitting for the title, but I came across The Accidental accidentally.   My latest contribution to the Words That Work column in Flagstaff Live tells the whole story.  The link seems to be dead, so I’ll include the text of the review below.

The Accidental by Ali Smith

I usually have an internal compass that directs me to independent bookstores in unfamiliar cities.  It leads me to neighborhoods where I can find pizza by the slice, art house theaters, mom-and-pop coffee shops, cafés with vegetables on the menu, and pubs that serve local beers.

For some reason, my compass was off while I was in Edinburgh.  I found pizza by the slice.  I found pubs and independent coffee shops and even a vegan restaurant in the basement of an eighteenth-century church.  But I could not find an independent bookstore.

The situation was serious.  I had a twelve hour flight the next morning.

The only bookstore I could find was Waterstones, which is a giant UK chain.  I wasn’t ruling out Waterstones completely.  Since they carried almost the exact same books I’d find at the Barnes & Noble on Milton, I made them my last resort.  I was looking for something more in line with Starrlight: a place where I could stumble across something new, something local, something unique.

After a few hours of circling the city, I passed a park full of tents.  Edinburgh was alive with festivals that weekend.  I figured I’d check out every one I stumbled across.  I wandered to the front of the park only to find that the tents belonged to the Edinburgh International Book Festival.  What luck!

Even luckier: that’s where I discovered Ali Smith.

Among the racks of books for sale was one dedicated to Scottish authors.  Down on the bottom were a row of books with funny titles like Other Stories and Other Stories and There But For The.  I picked one called The Accidental.  Or, to perhaps describe the feeling more accurately, it picked me.

The Accidental begins, “My mother began me one evening in 1968 on a table in the café of the town’s only cinema.”  It immediately launches into an awkward sex scene between two strangers that will lead to the narrator’s mother’s “nylons rolled in a warm ball in her coat pocket.”  After describing the moment of conception, the narrator introduces herself:

Hello.

I am Alhambra, named for the place of my conception.  Believe me.  Everything is meant.

The Alhambra of the novel is in her mid-thirties.  She becomes entangled with the Smart family, who take her into their Norfolk summer home.  The Smarts are fairly well-heeled.  Eve Smart is an author who has recently gained commercial success.  Michael Smart is a professor at a prestigious London university.  The Smart children, Astrid and Magnus, are on their way to their own cushy lives.  Just below the surface of this picturesque life lives each of the Smart family secrets.  Alhambra reveals them all in time.

Throughout the book, I was never really sure what Alhambra’s motives were or why she was putting up with the Smarts.  The Smarts all seemed to come alive as a result of her presence, but she seemed only moderately annoyed with them.  I had the feeling that she was, in some way, a con woman.  I couldn’t figure her angle, though.

On the larger level, The Accidental seems like a con.  The writing is so smooth.  The events move at the speed of a slight-of-hand trick.  I tried to find the red queen within the Three-Card Monte, but it was forever illusive.  And when the trick was revealed at the end, it felt like a light bulb exploded in the back of my head.  Reading The Accidental felt like the first time I read Mark Twain’s “The Celebrated Jumping Frog of Calaveras County”:  I knew the author was toying with me, but the game was so fun, both for me and him, that I willingly went along.

Now, I’m hesitant to tell Americans about Ali Smith.  I feel like she’s a hidden literary gem.  She’s all mine, right now, a personal pleasure that I don’t have to share with anyone because no one is talking about her.  At least not here.  In Scotland, she’s a major talent.  Here in the States, she’s an explosion waiting to happen.  We can read her without the taint of a bandwagon.  But we have to do it soon.  The bandwagon’s surely coming.