The First Review Is In

Publisher’s Weekly reviewed my forthcoming novel, Dead Extra. Here’s a highlight:

“Carswell weaves an intricate tale that keeps interest high as it shifts time frames and points of view. Readers will have no trouble relating to Jack, a regular Joe. Fans of the post-WWII pulp magazines and film noirs will find plenty to like.”

You can read the full review here.

It’s actually not the first review. Library Journal reviewed it last month, but the review is behind a paywall. Here’s the link. If you have access to it, please let me know what it says.

Let’s Talk about My New Book, Part One

Dead ExtraWe’re still about three months away from the release date, but I’m already so excited about my new novel that I’m having trouble thinking about anything else. When someone asks me how I’m doing, my first thought is, Great! I have a new novel coming out! I think it’s the best thing I’ve written! I almost always contain myself and say, “Good. How are you?” Almost always.

I want to talk a little about the new one here, though. It’s a crime novel titled Dead Extra. It’s set in Los Angeles in the 1940s. One of the protagonists is Jack Chesley, a veteran who returns from a German POW camp to find his wife dead and his wife’s twin convinced the death was murder. It sounds like a common trope, I know. Hopefully, I changed things up enough to that Jack isn’t common. He’s not your typical Sam Spade/Philip Marlowe tough guy detective, for one thing. For the other thing, he’s inspired by a real man.

My father is the youngest of seven kids. The oldest, born 21 years before my dad, was my Uncle Jack. Jack’s middle name was Chesley. I was close with my Uncle Jack for the final fifteen or so years of his life. This started when I was about 13. He’d come down to Florida. I’d take him fishing. He’d take me on drives around town. We’d talk a lot.

As I got older, Uncle Jack opened up to me more and more. He told me stories about his father, my grandfather, who’d died when my dad was a little kid. The old man, as Jack called him, was brutal. A hired thug. A gunman. A killer. And, though Jack didn’t put it in these terms, the old man was horribly abusive to Jack. Jack got away from the old man first by joining the NYPD, then by going off to fight in World War II. His plane was shot down in western Germany. He parachuted out, survived behind enemy lines for a bit, and ended up in a German POW camp. While he was there, his father and his wife both died. When he returned, he got mixed up with his wife’s twin sister.

I took a bunch of these things from my uncle’s life and used them for my novel: his name, some of his war stories, the broad strokes of his relationships with his father, his wife, and his wife’s twin sister. Mostly what I tried to borrow from him was his complexity.

When I got to know him, Jack was in his sixties. He was a recovering alcoholic, a retired cop, a father and grandfather, and just about the sweetest guy I’ve ever known. What also came out in our conversations was that he’d killed people. A few during the war. Maybe a few while he was on the force. I could never reconcile this in my mind. How could you be all these things? How can you be a killer and a kind, generous, thoughtful uncle? How can a young man go through all that Jack went through and emerge whole on the other side?

I don’t know that anyone buy Uncle Jack can answer those questions. I developed the character of Jack Chesley to explore some of these questions and find ways to reconcile some of these things in my mind.

 

The Original Rednecks

King Carswell Road

Unincorporated Carswell, West Virginia.

Originally, the term “redneck” referred to striking coal miners. In 1920, coal operators raised a private army to attack the miners. The miners fought back. They raised an army ten thousand strong and wore red bandannas around their necks so they could identify each other. Out-of-state journalists started calling them “rednecks.” About a third of the original rednecks were immigrants. Another third of the original rednecks were African American.

The original rednecks were part of the largest armed conflict in the US since the Civil War, an incident known as the Battle of Blair Mountain. I’m fascinated with this part of American history. I went to West Virginia this past summer to research the Battle of Blair Mountain and the general labor tensions. Hopefully, this research will develop into a book project.

Another writer who was fascinated by this stuff is James M. Cain. Before Cain became one of the greatest crime writers of all time, he was a journalist for the Baltimore Sun. He covered the West Virginia Mine Wars.

If you want to learn more about all this, skip Wikipedia and check out my article  “James M. Cain and the West Virginia Mine Wars” on Los Angeles Review of Books.

Publishing News

This showed up on the Publisher’s Marketplace newsletter today. You gotta love the author who got top billing!

 

Publishers Marketplace
New deals for May 22, 2018
FICTION
Mystery/Crime
Author of MADHOUSE FOG and OCCUPY PYNCHON Sean Carswell’s DEAD EXTRA, a classic 1940s L.A. noir novel involving dirty cops, B-movie script girls, alcoholic screenwriters, a women’s mental hospital, blackmailing dirty-movie-makers, and a lousy former cop who was presumed dead in WWII but is very much alive, to Colleen Dunn Bates at Prospect Park Books, in a nice deal, for publication in Spring 2019 (world).

Author of HEAVEN’S CROOKED FINGER Hank Early’s next PI Earl Marcus mystery, to Faith Black Ross at Crooked Lane, by Alec Shane at Writers House (world).

General/Other
Author of the forthcoming Bogota 39 Juan Cardenas’s ORNAMENT, about the delusions of art, science, and love, and a drug trial gone wrong, to Lizzie Davis at Coffee House Press, in a nice deal, by Andrea Montejo at Indent Literary Agency on behalf of Editorial Periferica (NA).

Author of ME, MYSELF AND THEM Dan Mooney’s THE GREAT UNEXPECTED, in which two men in a nursing home strike up an unlikely friendship and plan an epic escape, pitched in the spirit of A MAN CALLED OVE, exploring themes of friendship, aging, finding oneself later in life, and experiencing newfound joy, again to Park Row Books, by David Forrer at Inkwell Management on behalf of Legend Press (NA).

Author of The Solitude of Prime Numbers, Paolo Giordano’s DEVOURING THE SKY, an epic story of male friendship, the enduring love between men and women, and the all-too-human search for meaning as it follows four Italian friends from youth to adulthood, to Pamela Dorman at Pamela Dorman Books, for publication in early 2020, by Andrew Wylie at The Wylie Agency (NA). The original Italian edition is published by Einaudi. Rights sold to Shanghai Translation in China, Le Seuil in France, Rowohlt in Germany, Slovart in Slovakia, Keter in Israel, and De Bezige Bij in the Netherlands.

UK
Author of THE HERBALIST Niamh Boyce’s HER KIND, based on the true 14th-century story of Alice Kytler and her maid, the only person to be burnt as a witch in Ireland, to Patricia Deevy at Penguin Ireland, for publication in spring 2019, by Nicola Barr at The Bent Agency.

Winner of The Guardian’s travel writing prize Matt Stanley’s A COLLAR FOR CERBERUS, telling the story of a callow young graduate who chauffeurs an irascible old writer on an epic trip around Greece, to David Haviland at Thistle.

Amy Patricia Meade’s COOKIN’ THE BOOKS and a sequel, featuring a literary cafe and catering company in a quaint southern town, to Kate Lyall-Grant at Severn House, in a two-book deal, by Jessica Faust at BookEnds.